Themes: Epicurean

Posted on 20 November, 2015 by MssngrDeath

I’ve divided themes into three categories: occupational, where a character continues in their pre-adventuring job, heritage, where a character’s bloodline gives them power, and “other”. The third category is a catch-all for lifestyles, philosophies, places of origin, and mostly anything that doesn’t fit in the above two. One such example is as follows.

The epicurean is kind of a combination of the modern definition, which is a sort of haughty hedonism, and the philosophical Epicureanism, which is more about tranquility and knowledge. They both focus on happiness as the most direct form of good, and I tried to make the theme varied enough to let characters look for it however they want.

EPICUREAN
The greatest goal in life is pleasure. Your background is one of sensory experiences, whether a hedonistic life of debauched physical joys, a meditative focus on mental and emotional expansion, or something in between. You always look for the next great adventure, seeking things you’ve never seen or done before and pushing yourself into ever more exotic situations.

Theme Skills: Appraise, Fly, Linguistics, Perception, Use Magic Device
Theme Feats: Diehard, Exotic Weapon Proficiency, Improved Initiative, Iron Will

Theme Quests

Novice Quests: These quests are appropriate for advancing through 3rd tier.

  • A traveling sideshow sells a tonic that promises to open the minds of those who imbibe it. While it does grant mental benefits and is safe on first use, it is a powerful, addictive narcotic, and the symptoms of withdrawal include violent hysteria. The sideshow must be stopped, or withdrawal symptoms eliminated, before anybody else dies.
  • A caravan has gone missing, along with the valuable art it was transporting from a noble’s collection to a public gallery. If the caravan has disappeared, never to be seen again, it would be a great loss to the art world. But the gallery cannot afford to hire adventurers to return it, and the noble is suspiciously unconcerned about her missing property.

Expert Quests: These quests are appropriate for advancing through 6th tier.

  • The epicurean finds a recipe for a food or drink thought lost to history. Making and consuming it would be a unique experience, but it calls for strange ingredients from dangerous places and requires a skilled cook to bring it all together.
  • A cult is starting to gain momentum with its doctrine of enlightenment through pain. Laborers and royalty alike are looking into it if not already privately participating. The influence it has over its followers is alarming, and there is talk, albeit quiet, of making it the state religion.

Advanced Quests: These quests are appropriate for advancing through 9th tier.

  • A severe-looking man is peddling a service to the rich and powerful. For a great fee he offers to take them away for a week and let them experience things they never have before and never will again. A few nobles have tried it; they all agree it was a perfect, life-changing week, and each of them suddenly gained experience in strange things they had no way of knowing before, like exotic fighting styles or stories from unknown cultures. But none can articulate exactly what happened, divinations around them all fail, and their personalities all start to change in subtle ways.
  • An aged explorer asks for the epicurean’s help. Before she dies she wants to see a specific place, one she could never find during her lifetime. This place is difficult to find and is guarded by creatures and effects dangerous enough that she has never been able to convinced a group to help her look for it. But the place, if is exists, has been untouched by outsides for centuries, and visiting it would be one of the rarest experiences possible.

Legendary Quest: One day, pain stopped existing. Physical aches no longer hurt, emotional traumas disappear, and even fear is a thing of the past. Everybody has attained the sort of happiness of which an epicurean could only dream. But almost immediately, the consequences of an entire world living without pain begin to appear, as injuries go undetected and people act free of their mental limiters. Whether this is an evil plot or the accidental effects of a benevolent but short-sighted entity, it has to stop before every living thing drives itself to ruin.

Theme Abilities

Adamantine Stomach (Ex): Even when something in your system does affect you, your body can handle it. Whenever you take a penalty due to poison, disease, or an effect transmitted via smell or taste, you reduce to penalty by 1, to a minimum of 0. You must be at least 7th tier and possess the mithral stomach theme ability before selecting this ability.
Eidetic Scholar (Ex): Your thirst for information gives you a wide range of knowledge. You gain a +2 theme bonus to Intelligence and Knowledge checks made to remember information.
Emotion Enhancement (Ex): You feel more strongly than others do. Whenever you gain a morale bonus, that bonus increases by 1.
Hardened Spirit (Ex): You are resistant to fear. You gain a +2 theme bonus to saving throws against fear effects.
Iron Stomach (Ex): Your body is resistant to harmful foods. You gain a +2 theme bonus to saving throws against poison.
Iron Spirit (Ex): Things that would terrify a normal person barely effect you. Fear effects on you are reduced by one step: if you would be panicked you are instead frightened, and if you would be frightened you are instead shaken. You take no penalties from being shaken. You must be at least 7th tier and possess the hardened spirit theme ability before selecting this ability.
Let Me Try (Ex): Whatever your allies can do, you can at least attempt. You can study an ally as a move action. If the ally makes a Strength- or Dexterity-based skill check in the following round, you can make a skill check with the same skill on your next turn, using your ally’s bonus to the check instead of your own.
Liver of Life (Ex): You cling to closely to life to fear death. You gain a +4 theme bonus on savings throws against effects with the death descriptor. You must be at least 7th tier and possess the emotion enhancement theme ability before selecting this ability.
Mithral Stomach (Ex): You’ve smelled and taste enough strange things to have built up a resistance. Your bonus to saving throws against poison increases to +4. In addition, you gain a +2 theme bonus to saving throws against any effect transmitted via smell or taste, such as a troglodyte’s stench. You must be at least 4th tier and possess the iron stomach theme ability before selecting this ability.
Seen It Before (Ex): Your short-term memory is alarmingly good. You gain a +2 bonus to saving throws against any spell or effect for which you have already made a saving throw in the same encounter, regardless of the course of the effect. You must be at least 4th tier before selecting this ability.

Advancement Abilities

Ignore Pain (Ex): The most obvious pleasure is absence of pain. At 4th tier, you gain DR 1/— against nonlethal damage and a +2 theme bonus to saving throws against spells and effects with the pain descriptor.
Ataraxia (Su): Divine influences affect you less. At 7th tier, you gain spell resistance equal to 5 plus your character level against divine spells and effects. In additional your DR against nonlethal damage increases to 3/—.
The Last Great Adventure (Sp): Even death holds few mysteries for you. At 10th tier, you can make a special elixir that costs 25,000 gp to create. When you drink this elixir, you die. While dead you can speak with spirits as with commune, except there you can communicate with any deceased creature, no matter how long ago they died or where they are, and you can receive answers as long as a short sentence. You cannot communicate with a creatures whose soul no longer exists. The caster level for this effect is your character level. When the duration of the spell ends, you come back to life with no negative levels.

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Themes: Celestial

Posted on 17 November, 2015 by MssngrDeath

There are a few ways to manifest an extraplanar background in Pathfinder, and they’re all kind of weird. For example, say you want to play a celestial. You can be a sorcerer or bloodrager with a celestial bloodline, but that’s just two classes. Ain’t no celestial druids. You can be a divine caster reskinned as a divine being, but reskinning at that level doesn’t always agree with everyone. And of course you can be an aasimar, but races like that are narratively problematic. It suggests all celestials are Wisdom- and Charisma-based, as though half of angels don’t have a Constitution higher than their Charisma. It suggests celestials are powered by light, though few have light-based abilities. And it means you’re a different race from your siblings, parents, and grandparents because of the way the race works. An aasimar raised as a dwarf by dwarves is an aasimar, with all of the racial features and ability scores of an aasimar. It’s nature over nurture to the highest degree. Thanks, Monte.

A theme seems like a natural way to express heritage for a few reasons. Most directly, it can apply equally to characters of any race without rewriting the race itself. A celestial dwarf can still have stonecunning, a celestial elf can still be a jerk, and so on. Second, it means a character can be of any class. A celestial can be a wizard or fighter without sacrificing their core ability scores. Third, a theme means the character can explore their heritage, tapping into their natural power over time, without being a member of a class that explicitly works with it and without knee-deep reskinning.

Here “celestial” applies to all good-aligned outsiders, because having different themes for angels, archons, agathions, etc. seems too specific. I have “infernal” and “abyssal” penciled in as different themes, but they can probably be “fiendish” and will look a lot like this theme but alignment-swapped. Law and chaos…could work but I haven’t delved into it yet. I also have orc on my heritage list, by request, and dragon, because of course. I’m willing to hear any other ideas.

CELESTIAL
Like an aasimar, you have a good outsider somewhere within your genealogy. For you, though, your blood isn’t a gift, but a calling. You seek to learn about celestials, to follow them, and to work towards the same goals they do. In time, and with effort, you may even walk among them.

Theme Skills: Fly, Heal, Knowledge (planes), Knowledge (religion), Perception, Sense Motive
Theme Feats: Alertness, Combat Casting, Improved Initiative, Iron Will, Weapon Focus

Theme Quests

Novice Quests: These quests are appropriate for advancing through 3rd tier.


  • A sorcerer has been posing as an earthbound celestial, using his minor magic to convince people of his story and gain favors. He has tricked one too many people and some of them want him dead. If he is killed, it could cause a crisis of faith for the people who know him.

  • A tiefling approaches the celestial, asking for help in seeking redemption for past wrongs. She is vague about what sins she has committed and lapses easily into her old ways, but her intentions are good and she genuinely wants to change. If the celestial can convert her she could be a powerful ally.

Expert Quests: These quests are appropriate for advancing through 6th tier.


  • A noble family is pushing for a new law, banning any celestials from civilized areas because they challenge the local government’s jurisdiction. Few know that fiendish blood runs thick within the family, and this is the first step in their plot to control the country.

  • A rift to a good-aligned Outer Plane opens at the same time and almost in the same location as a rift to an evil Outer Plane. If left alone, fiends will have an excellent foothold form which to launch an attack, to say nothing of the devastation the battles will wreak upon the area near the rifts.

Advanced Quests: These quests are appropriate for advancing through 9th tier.


  • A mighty angel appears in the middle of a major city, announcing that judgement is upon it. The angel will find all evil citizens and put them to the sword or transport them to an unknown location. Is this a real reckoning, a dangerous hoax, or the enthusiastic attempts of a misguided judge?

  • Spells with the (good) descriptor are failing, wreaking havoc for adventurers who rely on them. They cannot be cast in a small but rapidly growing area, which seems to be centered on the former meeting place of a long-defunct cult.

Legendary Quest: Fiendish influence is spreading. Entire towns are changing into devils, demons, and stranger creatures. Despite the sudden, often violent transition, people seem to maintain their original memories and personalities. Is this a sign of impending invasion, where fiends are masquerading as the people they replaced, or does this magic have a mundane source that fiends are manipulating to their own ends? In either case, how can it be stopped?

Theme Abilities

Blessed Blade (Su): The energies in your blood affect your weapons. As a swift action once per day per theme tier, you can cause your next weapon attack that turn to deal damage as though it was a holy weapon.
Celestial Resistances (Ex): Your body can resist the energies employed by fiends. You gain resistance 5 to an energy type of your choice and a +2 theme bonus to saving throws against petrification. You can gain this ability multiple times. Its effects do not stack. Each time you select this ability, you gain resistance 5 to a different energy type.
Fiendsense (Su): You are attuned to the subtle energies of fiends. Select one type of evil outsider, such as devils or demons. You can detect that type of outsider as with detect evil.
Greater Fiendsense (Su): Finding fiends is as easy for you as breathing. You no longer need to concentrate to use fiendsense; it is always active. You can switch between detecting in a radius or a cone as a swift action. You must be at least 7th tier and possess the improved fiendsense theme ability before selecting this ability.
Improved Celestial Resistances (Ex): Your body is impressively resistant to unnatural attacks. Your resistance to one energy type from celestial resistances increases to 10, and your bonus to saving throws against petrification increases to +4. You also gain a +2 theme bonus to saving throws against poison. You must be at least 7th tier and possess the celestial resistances theme ability before selecting this ability.
Improved Fiendsense (Su): You can sense fiends even when you cannot see them. Your fiendsense can detect evil outsiders in a 5-foot radius per tier instead of a 60-foot cone. You must be at least 4th tier and possess the fiendsense theme ability before selecting this ability.
Lesser Truespeech (Su): You speak with the voice of a celestial. One minute per day per tier you can speak with any creature that has a language, as though using a tongues spell. You can divide the duration however you like, but it must be in one-minute increments. The caster level for this effect is equal to your level.
Planar Traveler (Su): You can mitigate the most pervasive effects of the Outer Planes.. You take no penalty due to being on a planes whose alignment does not match yours.
Suppress Nature (Su): You know people aren’t always comfortable around celestials. As a swift action you can suppress your aura of good for one round. While your aura is suppressed, spells and effects detect you as though you had no alignment. You must be at least 4th tier before selecting this ability.

Advancement Abilities

Heavenly Aura (Su): Your very presence shakes evil creatures and bolsters your allies. At 4th tier, you have a powerful aura of good, as a cleric of your character level. As a standard action you can manifest either an angel’s protective aura or an archon’s aura of menace, except that the radius is only 5 feet. This protective aura does not grant the benefits of magic circle from evil or lesser globe of invulnerability, and you do not gain the +2 racial bonus to the DC of the aura of menace. You can sustain this aura for up to one round per day per tier. The caster level for this effect is equal to your level.
Angelic Flight (Su): You can soar through the heavens. At 7th tier, for one minute per day per tier you can grow wings and fly with a speed of 60 feet (good). You can cause the wings to appear or disappear as a move action. Your clothing and armor reshape themselves to allows the wings to grow. to You can divide the duration however you like, but it must be in one-minute increments. The caster level for this effect is equal to your level. You select the type of wings when you gain this ability and you may not change them afterward.
True Ascension (Ex): You become the celestial being you always knew you were. At 10th tier you are treated as an outsider with the (good) subtype for the purpose of spells and magical effects. You gain darkvision out to 60 feet and you no longer need to eat or sleep. Additionally, you gain damage reduction 5/evil.

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Themes: Farmer

Posted on 14 November, 2015 by MssngrDeath

I figure if I’m going to introduce themes as “what if you want to play a farmer?” pretty universally, it’s only proper for that to be the first theme I post. A few things to keep in mind throughout these examples:

  • These are still an untested alpha. All mechanics are subject to change, expansion, or removal.
  • Themes are mean to flavor a character, not make one work. Abilities are low-powered intentionally, and a character will only receive five or six of them over their career. So if you see an ability tree and think “I don’t see how this makes my wizard build better”, good.
  • I am terrible at HTML formatting.

And with that:

FARMER
You grew up as many do, working the fields to provide food for your family and others. You know the job isn’t glamorous or easy, but it is necessary and rewarding. Whether you dealt with crops, livestock, or a more exotic commodity, you have an appreciation of hard work and a better understanding than most about how to sustain a nation.

Theme Skills: Handle Animal, Heal, Knowledge (nature), Profession (farmer), Survival
Theme Feats: Animal Affinity, Endurance, Great Fortitude, Improved Great Fortitude, Toughness

Theme Quests

Novice Quests: These quests are appropriate for advancing through 3rd tier.


  • A swarm of insects is consuming crops almost ready for harvest. If nobody intervenes, they will eat entire farms’ worth of goods.

  • Livestock is acting strangely, escaping their pens and wandering into precarious situations. Their owners suspect the local fey have something to do with it.

Expert Quests: These quests are appropriate for advancing through 6th tier.


  • A blighter is taking his revenge on a farming family who wronged him in the past. The blighter must be defeated or dissuaded from attacking their land, but the effects of his attacks linger long beyond he stops.

  • Farmhands are disappearing for days at a time, coming back haggard and dangerously distracted. The only command thread among them, unknown to anybody, is that they all visited the same tavern the night before their disappearance, a tavern owned by the family who used to own most of the land in town.

Advanced Quests: These quests are appropriate for advancing through 9th tier.


  • An army of treants is invading all of the farmland adjacent to a large forest, intent on reclaiming the land from civilization. Stopping them will be a long, dangerous endeavor, during which many people are going without food.

  • A normally rare, valuable commodity is flooding the market, drastically affecting the local economy. Somebody needs to find the source of the influx, determine whether it is legitimate, and possibly halt it.

Legendary Quest: Hundreds of acres of farms are being devastated by inclement weather. Torrential rain and tornados are the most common sights, but even they don’t follow any known weather pattern. The source of the change must be found and stopped, and in the meantime an entire nation must be fed. Even after the treat has passed, the land is devastated and may no longer be viable without significant effort.

Theme Abilities

Animal Whisperer (Su): You understand beasts in a way few can without magic. You can make a Handle Animal check to improve the attitude of creatures with an Intelligence of 1 or 2. This otherwise works like a Diplomacy check. You must be at least 4th tier before selecting this ability.
Early to Rise (Ex): You are used to waking at the crack of dawn. You only need to sleep for six hours to gain the benefits of a full night’s rest. You must still rest for eight hours to regain your spells and other abilities. In addition, you only take a -5 penalty to Perception checks while you are asleep.
Home Remedies (Ex): You know which herbs and plants combat certain bodily afflictions. You gain a +2 theme bonus on Heal checks to treat poison or disease, and if you succeed the character you treat gains a +6 competence bonus on his saving throw.
Improved Home Remedies (Ex): You’ve seen enough mundane sickness to know how to treat it. Your bonus to Heal checks to treat poison or disease increases to +4, and if you succeed the character you treat gains a +8 competence bonus on his saving throw. In addition, you gain a +2 theme bonus on saving throws against poison and disease. You must be at least 4th tier and possess the home remedies theme ability before selecting this ability.
Light Sleeper (Ex): You wake before the dawn. You only need to sleep for four hours to gain the benefits of a full night’s rest. You must still rest for eight hours to regain your spells and other abilities. In addition, you take no penalty to Perception checks while sleeping, and you gain a +2 theme bonus to saving throws against sleep effects. You must have the early to rise theme ability to select this theme ability.
Market Expert (Ex): You know how to make money at the market. You gain a bonus equal to your theme tier on Appraise and Knowledge checks when dealing with the crops or livestock you handle.
Never Burdened (Ex): No amount of weight can keep you from making your rounds. You are not encumbered by medium armor or a medium load. This does not effect class abilities based on your armor or load, such as a monk’s AC bonus or a wizard’s spellcasting. You must have the pack mule theme ability to select this theme ability.
Ounce of Prevention (Ex): Your everyday activities lend themselves to stopping sickness before it starts. Your theme bonus to saving throws against poison and disease increases to +4. In addition, once per day you can allow an ally within 30 feet to reroll a saving throw against poison or disease. You must be at least 7th tier and possess the improved home remedies theme ability before selecting this ability.
Pack Mule (Ex): Whether through clever positioning or sheer brute strength, you can carry more than it seems you can. You can add your theme tier to your Strength score when determining your carrying capacity.

Advancement Abilities

Adventuring Farmer (Ex): Your understanding of farm life colors your adventuring choices. At 4th tier, select either animals or plants. You gain a +2 theme bonus to Knowledge checks and weapon damage rolls against creatures of the type you chose. In addition, you gain Simple Weapon Proficiency as a bonus feat. If you already have it, you gain a +1 theme bonus to attack rolls with simple weapons.
Crop Master (Su): Your familiarity with nature borders on the magical. At 7th tier, you can spend eight hours tending to an area of fields or natural plants. This duplicates the enrichment effect of plant growth, except the target is a 10-ft radius per theme tier. In addition, you can tolerate hot and cold temperatures as though under the effects of a constant endure elements.
Golden Crops (Su): The animals and plants you produce are the stuff of legend. At 10th tier, once per day you can take one hour to create a meal for up to twelve creatures, using only food you have raised. Large creatures count as two creatures, Huge creatures as four, and Gargantuan creatures as eight. Any creature who eats this meal gains the benefit of one of the following spells, except that the duration is 24 hours: bear’s endurance, bull’s strength, cat’s grace, eagle’s splendor, fox’s cunning, owl’s wisdom, or resist energy. You decide which spell to use, and any specifics like the energy type for resist energy, when you create the meal. Your caster level for this spell is equal to your character level.

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Themes: Rules

Posted on 9 November, 2015 by MssngrDeath

I have a few key points to keep in mind as I work on themes:

  • They can’t be too strong. The point is not to give players a significant power jump or suddenly allow new game-breaker builds. Themes must be significant enough to matter, but not so much that their overshadow classes (or, heavy sigh, races)

  • They have to be flavorful. “+2 to Heal checks” is boring. “+2 to Heal checks because you’re using the home remedies your grandparents taught you” is much better.

  • They have to inform, but not dictate, the character. They have to be general, like “soldier” rather than “military brat” or “draftee” or “trained in swordplay by an elven master”. Similar themes would overlap too much, and very specific themes restrict a player’s ability to make them relevant to their character.

  • They can’t just be another way to say “adventurer”. A theme designed for rogues and only rogues is worthless. We already have a mechanic for that: the rogue. A single theme needs to apply to multiple classes. This isn’t to say every theme needs to apply equally well to all classes; a wizard will get more out of the scholar theme than a barbarian, but the barbarian will still be able to use it (and probably be awesome.)

  • They have to adhere to reasonable mechanic design. You know, low levels should offer less powerful abilities than high levels, there should be no dead levels, the abilities can’t be meaninglessly specific or too-good-to-not-take broad, etc. I think points like this are obvious, but they may only be obvious to me.

With those in mind, here are the general rules for themes:
Themes work in tiers, not unlike mythic power. All characters have a theme and begin in the 1st theme tier. Your theme tier is separate from your class level and cannot be advanced with experience points. Instead, you increase your tier by completing quests specific to your theme. Each theme includes examples of such quests, but you can work with your DM to create quests that work with your campaign, setting, and character. You can use a single quest to advance themes for multiple characters as long as the quest is relevant to each theme. The point is not that you gain a tier after having so many adventures or gaming sessions, but that you advance whenever you work with your theme and improve within it.

Every character gains abilities based on their theme. These abilities are gained based on the character’s theme tier.


Theme Tier Theme Abilities
1st Theme ability
2nd 1st theme skill
3rd Theme ability
4th Expert advancement, theme feat
5th Theme ability
6th 2nd theme skill
7th Advance advancement, theme ability
8th Theme feat
9th Theme ability
10th Legendary advancement, 3rd theme skill

Theme Ability: As you advance within your theme you find ways to use your expertise in your adventuring career. At 1st tier you gain a theme ability. You gain another theme ability for every two tiers beyond 1st. You cannot select the same ability more than once unless otherwise specified within the ability. Once you select a ability you cannot change it.

Theme Skill: Your experience within your theme applies in limited ways to the skills you use as an adventurer. When you reach 2nd tier, select one skill from your theme’s skill list. You gain a +2 bonus on checks with that skill. At 6th and 10th tier you may select an additional skill. In addition, at each such interval, the bonus for any skill you chose (including the one just selected, if so desired) increases by +2.

Expert Ability: You have gained great skill or prestige, enough to be recognized by others who share your interests. You gain a +2 bonus on Diplomacy checks when interacting with characters who share your theme. In addition, you gain an ability based on your theme.

Theme Feat: When you reach 4th tier and 8th tier, select one feat from your theme’s feat list. You gain this feat as a bonus feat. You must meet all prerequisites for the feat.

Advanced Ability: You are renowned within your field, and it is likely that other characters have heard of you even if they do not share similar interests. Your Diplomacy bonus when interacting with characters who share your theme increases to +4. In addition, you gain an ability based on your theme.

Legendary Ability: You are legendary within your field, perhaps more famous for your theme than you are as an adventurer. You gain your theme’s legendary ability.

This is still an alpha, so it’s subject to change. I’m really not sure about giving characters a theme ability at T7, when they’re already getting an ability from advancement, and only a feat at T8. Switching them is probably better design. I also don’t much like that characters only get one ability between Expert-level at T4 and Advanced-level at T7. But there’s a persnickety part of me that really wants to say “you get an ability at every odd-numbered tier.” I haven’t reconciled it yet.

Unless I completely redesign something, that’s it. Themes don’t take several pages of rules or a whole bunch of cross-checking to figure out, by design. If a player has already put together the several flowcharts and footnotes they need to understand occultist spellcasting, they don’t want to crack open three books to see how to be an urchin.

And since that’s the full set of rules, for the rest of the month I’ll probably be posting the themes themselves. Right now I have five done and a sixth this close to done, so I’ll have a good list of themes from which to pick.

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Themes: Introduction

Posted on 4 November, 2015 by MssngrDeath

So what, exactly, is a theme?

D&D and Pathfinder make a clear difference between PCs and NPCs. PCs are heroes, the stuff of legend, several cuts above the average person. PCs are stronger, faster, braver, and all around better than a farmer or village priest or even royalty. While NPCs ostensibly use the same system as PCs, they’re restricted to different, lesser classes, ability scores, equipment, and opportunities.

This is mostly because D&D and Pathfinder are games about adventuring, and PCs are adventurers. A PC is expected to dedicate their life to whichever cause is relevant to the game, whether that’s promoting the interests of a guild, saving the kingdom, uncovering arcane secrets, or even just accumulating wealth and prestige. They’re better than other people because they throw themselves wholeheartedly into this cause, forsaking other interests and pursuits to advance their career with single-minded commitment.

To that end, all non-adventuring interests fall by the wayside except as they apply to adventuring. A blacksmith who taught herself swordplay and became a fighter isn’t a blacksmith any more, except in that she may choose to increase her Craft ranks. A lesser noble born with magic in his blood is a sorcerer, and his nobility is only relevant as a single social trait and perhaps an opportunity for later adventuring hooks. Even a character who owns and operates a current, functioning, persistent business can only manipulate it during her downtime, using optional rules that apply to the space between traveling and killing.

This is because, as far as the system is concerned, everything that isn’t directly relevant to adventuring isn’t worth a focus. It’s a single skill check at best and a background footnote at worst. This is why there are six Knowledge skills that cover monsters, but only one Profession skill to cover every type of crop a farmer could possibly grow. The things a character did before they became a PC are irrelevant, and when they become a PC they reject all outside interests. Life is adventuring, and adventuring is life.

This is bull.

A real character has interests outside being an adventurer. They have hobbies that don’t fit as common skill checks. They have beliefs besides those that manifest as a class’ spellcasting. They have relationships beyond NPC boons. They have backgrounds that mean more than a +1 bonus to a single skill. A person is more than their occupation, and a character should be more than an optimized murderhobo whose only relevant personality trait is where they stand in a party formation.

This is what themes are, a mechanic for the parts of characters that don’t fit neatly into a race/class structure. They allow these backgrounds and interests to be part of the game, not a line on a character sheet about which a player can quickly forget. With themes a character can not only use their non-adventuring passions as a way to help them as adventurers, they can also advance in said passions without sacrificing resources, like skill points and funds, that they need to keep pace with the system’s expectations. They bring backstory to the table in a tangible way.

What I’m looking for is something like what existed during a phase in the 5E playtest, where a character’s background advanced as they did. For example, a 1st-level farmer may have gotten a bonus to working with crops, but at 5th-level also did better in the market or dealt better with livestock. This occurred regardless of your class, and it showed that even as you fought kobolds and raided dungeons, you were still a farmer and you were expected to be working on that as well. It meant a wizard-farmer had different abilities from a wizard-thief and neither felt they were worse at wizardry for having come from a different background, and that colored the characters and the classes in ways that mattered during play.

Instead, 5E ended up with backstory, which gives players a benefit at 1st-level and allows them to choose from a list of relevant character traits for the opportunity at a +2 bonus at some point after the DM decides you are playing the character appropriately (the especially astute might gather that I think dimly of this mechanic, and they are correct). Besides that the backstory has no effect. It’s done. You’re not a thief any more, you’re a ranger, and your thievery is static unless you choose to sacrifice ranger abilities for it.

While I think I run in circles who have a much stronger opinion about the “character=person” approach than is standard, I still think there’s an opportunity here for the game to work with us instead of against us. We shouldn’t have to cobble together ways to make our characters fit the rules in a system ostensibly designed to handle anything you can throw at it. The intent of a theme is to fill this void, and allow characters to let their background progress in a way concurrent with, but separate from, their class level.

I know that by adding a new system I’m increasing complexity, and I’m okay with that. I also know this increases the power level of play because it gives characters abilities they wouldn’t otherwise have, and I’m okay with that too. I am trying to keep the power jump relatively low because these are supposed to be supplemental rules rather than a subversion of the class system. I’m also letting the DM mitigate the rate of progression in a theme and how much it’s likely to come up during gameplay. I’ll discuss that later around theme quests. I suppose an enterprising (read: insufferable) player could still game the system by choosing a theme designed to matter in a campaign more than the other players’, but I contend that’s actually the DM’s fault for naming it the “The Corn Isn’t Coming Along Sufficiently” campaign in the first place.

Over November I plan on posting these about themes as I write them, including the alpha-test structure for a theme, what the bits of it are, and a few varied examples. As I said before this is more of a “see what I can do” activity than a “write 50,000 words” activity, so I don’t know exactly how often I’ll be posting or what those posts will contain, but the goal is to have enough for you to sink your teeth into.

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NaNoWriMo

Posted on 25 September, 2015 by MssngrDeath

November is coming, as it does, and that means National Novel Writing Month again. I really like NaNoWriMo for what it is: a measurable, attainable, structured kick in the pants for people who want to be writers but can’t seem to write. I’ve let it kick me several times over the last decade, and I’ve actually met my goal three of the last four years. This year I’m eying it again.

I like knowing what I’m doing for NaNoWriMo by the beginning of October so I can spend the month, planning, developing characters, building the world, researching, and largely doing anything but writing. The goal is to work myself into a frenzy, wishing desperately that I could put pen to paper, so when 1 November finally arrives I can hit the ground running.

I also spend October doing whatever session planning I think I’ll need so gaming consumes as little of my precious time as reasonable. This has had mixed results.

Until recently my plan this year was to use NaNoWriMo to start a novelization of The Eight Arms and the Shadow Invasion. It wouldn’t be a play-by-play retelling of the campaign, but it would follow the same beats with mostly the same characters. I’ve been talking about this for a long time, and I got the approval of just about everybody involved in the campaign to butcher their characters appropriately.

But then we started the vigilante campaign and a opportunity arose. Now I intend to use the month to write a small rulebook for the theme mechanic discussed in that post. It’s not a novel, but it fits the “a kick in the pants to get something written” theme. I’ve also been thinking about doing something like this for years (I mean, who hasn’t?), and finally I’ve come across a topic where I see enough of a need for additional rules to be relevant. Pathfinder has an OGL like D&D has lacked for close to ten years, so I can even do it without worrying about being cease-and-desisted, and it’s a concept I’ve been missing from all D&D-like systems since it was removed between the 5E playtest and the 5e release.

By the time November rolls around I should be done with the vigilante campaign (We expect the last session to fall on Halloween, and it will be set during the equivalent of Halloween on the campaign calendar. Coincidence?!) and itching for something to do besides the Zelda campaign. There’s no word count target I would consider a “success” right now. I’m going more for the most complete thing I can have in the time frame rather than a thing of a given length, and for that I need to come up with specific goals.

This means November at DMing with Charisma will pretty much be about this rulebook, as I discuss the process, post snippets of what I’ve done, and repeatedly question what I’ve named everything. Sometime soon I’ll post a better explanation of what the specific mechanic is, and I’ll poll people to ask what themes would be interesting enough to make it in, so if you’ve ever felt Pathfinder did a poor job of letting you advance as a noble without some sort of nobility-based archetype or prestige class, watch this space.

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Occult Adventures

Posted on 30 August, 2015 by MssngrDeath

Speaking of class design.

I knew I was going to get Occult Adventures as soon as Paizo announced it. I figured it wouldn’t be the same as the amazing Heroes of Horror, but I’d hoped it would be in the same wheelhouse, and I wasn’t disappointed. I have a soft spot for things just outside the known, close enough for us to us to have theories about what’s happening but where the resolution is usually a shrug and an “it’s just weird.” I like it even more in D&D, where everything’s supposed to follow the same understandable, easily-manipulated ruleset. When something happens that can’t be definitively explained by a spell or class feature it’s just unsettling enough to keep players on their toes.

Occult Adventures is a book about things that are “weird” by the standards of the setting. It’s about people who summon phantoms (which aren’t quite ghosts), people who channel energy from items (which aren’t quite magical), and people who manipulate energy (in ways that aren’t quite spells). It’s about magic that looks like known spells but doesn’t work in exactly the same way, to the point where it looks like cheating to the uninitiated. It’s about using energies that have always existed but never been leveraged before, conducting pitched battles that only exist in the combatants’ minds, and tweaking yourself and the world around you until it’s all vaguely, almost imperceptibly unsettling.

This is a book of three parts: character options, occult campaigns, and new magic (pithily: people, places, and things), and not in equal measure. The new classes and class options take 122 pages of a 270-page book. If you count the incredibly meh feats section the “people” part of the book is 130 pages. Psychic magic accounts for another 74 pages. The rest of the book is about the weirdness you can accomplish now that there are rules for it and how a DM is expected to bring it all together. Unlike Heroes of Horror OA is definitely more a book for players than DMs, but not really to its detriment.

First and foremost OA is a book about classes, and those classes are really neat. Of the six new classes I could see myself playing five of them and I really want to play four, which is about the highest praise I can give a class. Even the kineticist, which the Paizo faithful have already rejected as an uninteresting, underpowered waste of space, solves a specific problem I’ve had with D&D for close to ten years, so I’m pretty pleased all around. Occult classes are a bit light on healing so a fully-occult campaign might need to double up on cures, but I don’t see any other major problems with the classes except that a number of them are really, really hard to understand from a first read. I have a bit of an issue with themes of the classes as a whole but I’ll get to that in a minute.

The archetypes for the new classes are equally interesting. Many of them expand the classes in meaningful ways, granting new powers instead of just stealing features from other classes. The archetypes for existing classes…less so. There is some new ground, like the magus who can pull weapons out of his brain, but there’s a lot more of the feature-swapping changes. That’s great if you’re interested in the specific swaps the designers wanted, but I usually only get excited about them if they fit the character concept I already had half-built. None of them strike me as a must-have.

Spells are spells. There’s only so much I can say about them: some are neat, some aren’t, some seem balanced, some don’t, and so forth. The only major things in the magic chapters are psychic spells and undercasting. It’s possible that psychic spellcasting is more powerful than normal casting because all psychic spells are stilled and silent and casting them doesn’t have arcane spell failure. But it may be less powerful because the thought components make spells devastatingly easy to interrupt and emotion components give a large number of creatures effects that shut down psychic casters. Maybe they balance each other out. I’d have to see them at the table. Until then I can only really say it seems thematically distinct. Undercasting, however, I love. I may make it more of a thing.

Pathfinder books tend to have some sort of “and then some other stuff” chapter. OA is no exception. Chapter 5 has information on new skill uses (weird—I’m not sure how I feel about some classes being allow to use several skills better than other classes because they were published in a later book), auras (pretty neat), chakras (ugh, so much text accomplishing so little), psychic duels (great idea for story, terrible idea for gameplay), possession (because this seemed like a good place to explain the designer’s intentions on it, why not), and rituals (actually pretty neat, as long as you’re in an occult setting). Haphazard chapters like this always make me wonder what could have made it into the book if space was not an issue. If we hadn’t spent two pages on explaining possession, would we have a small section on a psychic afterlife, or a psychic version of the adept for NPC dabblers?

The last chapter of relevance is the one that covers DMing occult campaigns. Weirdly for a book so focused on players, I think this is my favorite chapter. The rest of the book is incredibly rules-dense, narratively and numerically complex (often unnecessarily so), and frequently outside the comfort zone of normal d20 because it can be. This chapter ties it all together, explaining how to present the occult not as a violation of the rules and setting but as a facet of it that’s only as unsettling as you need it to be. It’s the “why” of occult rules, the sort of thing most books put in the introduction that for some reason didn’t make it into this book until nearly the end.

In a nostalgic reminder of the 3.5E Complete Whatever series, the chapter on items isn’t substantive enough to merit discussion.

All told, I like Occult Adventures but I feel like I shouldn’t. I suppose I like the classes and DMing section more than I dislike the archetypes for pre-existing classes or the potpourri rules or the feats section (who, exactly, was really hoping for a way to modify the shape of their skull through ritual binding?). It’s certainly not 3.5E psionics, and I’m of the majority who feel that’s a good thing. There’s certainly stuff in it I want to use as soon as reasonable, and there’s almost enough material to run a full occult campaign.

But that full occult campaign is almost mandatory. There’s a theme throughout the book of persistent otherness, like the occult world is adjacent to but separate from standard Pathfinder, and I don’t like that. I don’t want a single player’s class throwing a ton of new rules, spells, world-building, plots, and theme into a campaign that wouldn’t benefit from it, but that seems to be an understood result of using anything from the book. So unless I can commit fully to an occult campaign, I’ll end up doing what I usually do: strip all the flavor away from the things I like and use just the mechanics as a skeleton to run what I really want. It’s almost gotten to the point where I’d purchase a flavor-free version of most books just to take up less room on my shelf.

So I guess I recommend Occult Adventures if you really like an occult feel, or if you’re good at reskinning, and I happen to be both. Otherwise the new mechanics aren’t worth the baggage.

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On the Vigilante

Posted on 15 August, 2015 by MssngrDeath

I’ve been spending some time on the Paizo subreddit since one of my players told me I was on it and, in doing so, that it existed. For the most part it’s very similar to the Wizards boards I frequented in the 3.0 and 3.5 days (40% optimization advice, 30% rules questions, 15% roleplaying/DMing advice, 10% gaming stories, 5% other) but all in one place instead of split by topic across various boards, which is…nice, I guess?

It was there I learned Paizo had a system that allows players to playtest rules before they’re officially released on a book, which I think is a really neat idea as long as you can get past the “I loved this feature in playtest, and now it is gone, ruined forever” tendency. I am disappointed in the length of the playtest, though. Each round of testing lasts for a month, which isn’t long enough to get a feel for a class. I normally play in/run ongoing campaigns where I can’t build a new character, slot them into the campaign in place of my current character, and adventure with them at various levels to see how the class grows. It’s like the playtest is designed for a campaign where people can play more than once per week, with different people and parties each time, in a way that doesn’t require an ongoing storyline so characters can sub in and out at will and the DM doesn’t oh I just got it.

Still, when I saw there was a vigilante class playtest I jumped on it. After reading over the class I commented to one of my players that it felt like a class that seemed separate from the normal D&D party system. A vigilante really wants to be a lone wolf, hiding behind their persona socially but also charging first into combat but also casting spells and so forth. When a vigilante is in a party with other character it seems like an obvious Law #4 violation. Her reply was “then why not have a whole party of vigilantes, so they all do things the same way?”

So our all-vigilante campaign starts this weekend. And during character creation, we got seven people with various levels of media background and system proficiency together to pull apart the class and put it back together again, and then a month to process between session zero and session one (late July / early August is a terribly busy time for growns-ups). We’ll be too late to participate in the playtest, but we have formed a couple of opinions on the class.

For one, the vigilante has a lot going on. It gives a player two identities, one of which requires one of four specializations (one of which requires a further specialization), and each identity has an independent set of talent trees. This is spread over fourteen pages of text with no art and few paragraph breaks. There’s no “glance at the vigilante to see if I want to play it”. It’s more “sit with with a coffee and get ready to understand a lot of moving parts.” Before even reviewing the abilities themselves it’s clear this is not a class for new players.

But while the whole of the class is overwhelming, parts of it can be anemic. Here is the full and complete talent tree for a vigilante’s social persona:

  • Renown
    • Safe House
    • Loyal Aid (L3)
    • Feign Innocence (L5)
      • Subjective Truth (L9)
    • Great Renown (L7)
      • Incredible Renown (L11)
        • Instant Recognition (L13)
  • Social Grace
  • Many Guises (L5)
    • Everyman (L11)
      • Any Guise (L17)
  • Quick Change (L7)
    • Immediate Change (L13)


At fourteen items it doesn’t look that bad. But a vigilante gets one of these every two levels. He’ll end up with ten of these fourteen items, which doesn’t leave a lot of options. Also, look at it level-by-level. At L1 he can take renown or social grace. If he took renown at L1 he can take a few things at L3. If he instead took social grace, now he can take renown and only renown. A vigilante who doesn’t want a reputation doesn’t exist. It took us a few minutes to piece this together; the talents are sorted alphabetically and visually scanning for “must be Xth level” wasn’t helping us. Eventually we gave up and made a tech tree like this just to make sense of it and realize, yes, if you want to avoid a specific talent the rest of your build is largely hard-coded.

Speaking of hard-coding, the vigilante only has a few mandatory features. A vigilante must have two identities: vigilante and social (a nitpick: if you’re going to have two halves of a character, don’t give one the same name as the class. You might as well name them “primary” and “ancillary, don’t worry too much about it”.) A vigilante must inflict fear when he attacks an opponent unaware of him. That’s it. Everything else is controlled by talents, specializations, talents within specializations, or talents within specializations within specializations. While this means that class has a lot of variation, it also means its identity is weak. It boils down to “you have two names and people are scared of you”, which is any class that can use skills.

The optional features are all over the place. Some of the vigilante talents are a feat with an additional benefit (Fist of the Avenger: Improved Unarmed Strike, but your fist and gauntlet attacks deal an extra level/4 damage). Some of them are far better than this (Mad Rush: full attack after a charge, which was an epic feat back in my day). Some are so good they’re almost mandatory (Arcane Training/Divine Power: Gain a new level of spells, and in fact it’s the only way to gain any spell slots at all). Some grant features from other classes (Evasive: …evasion). On the bright side this means you can have a campaign of vigilantes without similar builds. But it also means there’s no way to balance them all, and what we’ll actually see is an influx of the most mechanically viable vigilantes and a whole bunch of unused features taking up space.

We still haven’t discussed the first thing I said about the class: it’s not for parties. A vigilante’s job is to do their own thing and hope the rest of the party doesn’t mind. The class’ core mechanic, the social/vigilante split, is built around NPCs not knowing both personas are the same character. Well, when the townsfolk see a fighter, cleric, wizard and Jim Johnson enter town, and a fighter, cleric, wizard, and the Vermillion Mask saving orphans, they’re going to put two and two together. Unless the character disassociates at least one persona from the party their core mechanic and flavor buy-in is shot.

This may sound like a hypocritical complaint considering my very last post was about how splitting the party is okay, but it’s actually another side of the same coin. The vigilante wants to always split the party. That’s not a storytelling tool, it’s a power grab to control the narrative spotlight. I’ve had more than my share of “separate the party so only I get to act” players, and a class whose hook is to facilitate and encourage that sort of behavior rubs me the wrong way. That said, it is definitely possible to run a vigilante in a normal party, even when he goes lone wolf. I’ve also had plenty of “separate the party to make things more entertaining for everybody” situations. But it takes a certain kind of player, group, and DM to do it effectively. Without a “this class is for intermediate gamers” warning the vigilante is asking for trouble.

I kind of feel like the vigilante shouldn’t be a class, but the Pathfinder version of a theme (re: the first link in this post). That is, a character has two advancement trees: class and theme. The class works like normal Pathfinder. The theme tree instead covers advancement in a profession or other secondary characteristic, and characters only advance in it via quests. It’s a lot like mythic tiers but significantly less game-breaking. When a player does enough vigilante things, they get to choose a new vigilante talent and built their second identity, or get a lair, or strike fear in the hearts of their enemies, etc. This strips away most of the vigilante, gets it down to a couple of pages, and lets players have the mechanical benefits of being a masked crime-fighter without giving them an overly complicated class where they don’t even get to read 60% of its options. It would requite a new theme mechanic, but you can’t convince me a player wouldn’t jump at the chance to have her own day-in-the-limelight quests while advancing her secondary career as a superhero, or a government official, or a magical sage, or royalty. Heck, I might just write it.

I won’t be able to have a complete opinion about the vigilante until I see how it plays, and even then I’m only going to see how a specific group of players handle L8 vigilantes (and a couple of L4 vigilantes/L4 something else, because why not) in a specific environment. But the first step to playing a class is reading it and the second step is building a character with it, and if we have seven people all agreed that the vigilante has problems in the first two steps I’m not sure how many times the final product will even get to the table.

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Splitting the Party

Posted on 2 August, 2015 by MssngrDeath

I have a guilty pleasure when it comes to DMing. In fact, I probably have several, but one came up recently as I was browsing the Pathfinder Reddit: splitting the party.

Splitting the party is generally considered A Bad Thing™. The Reddit denizens (Redenizens? Renizens? I’ll workshop it.) are against it almost universally, impressive for any online community. TV Tropes agrees (…usually). I could swear it was one of the taglines for D&D 4E or Pathfinder promotional material, though I don’t have too much of that lying around. People have even written songs about it.

Why is splitting the party bad? A few reasons, all related:

  1. It divides the party’s abilities. In an archetypal party, splitting in two means only one side has a healer, or a slashing weapon, or something else. Characters form parties specifically because each member offers something the rest of the group doesn’t have, and splitting the party negates that advantage.

  2. It breaks the power balance. Most adventures are designed for a group of X people, each with a certain number of actions per turn and a certain set of resources. Charging into a battle like this with only X / 2 players is a good way to run into a TPK.

  3. It divides player attention. When the game is focused on group A, group B isn’t doing anything. The players are watching other people game and waiting for their turn. It’s boring.

  4. It divides DM attention. Now he or she has to remember two groups, their progression, their location, and what the world around them is doing. Multitasking like this leads to slower, more confused play and frustration.

Reading them in a list they seem like good reasons: splitting the party leads to a bad gaming experience. But I’m not convinced these are problems with splitting the party as such.

  1. Resource consumption is going to happen whether the DM intends it or not. Eventually the cleric will run out of healing, or the ranger will shoot her last arrow, or the fighter will go unconscious. That’s why characters have backups (a wand of cures, the rogue’s quiver, a summoned monster to hold off the enemies for a few rounds). One of the DM’s responsibilities is to make sure the game never gets to a point where it’s impossible to advance, and part of that is not basing survival or progression on a specific player having a specific resource at a specific time.

  2. Power balance in combat design is mutable, almost to the point of being unbreakable. If half the party stumbles into a room where a DM planned to have six orcs, she’s well within her right to change it to three orcs. Only the DM really knows how many fireballs the enemy wizard has left, or where the pit trap is, or whether the cult leader has Dodge or Toughness or Skill Focus (Perform [oratory]). A TPK isn’t any more likely for half a six-person party than it is for a three-person party when the challenges are in flux. Only the most rigid DMs can’t handle any change in their plans.

  3. The nature of having specializations means that as some point somebody is going to sit out. If the party is fighting undead, the enchanter can’t do much. If the party needs to disarm traps, only the rogue gets to play. If the party is talking to NPCs, the face of the party is doing it, whether that’s the actual party diplomat or the de facto diplomat by way of being the player most comfortable with it. That’s built into the game, and we’re not even getting into situations where a player simply isn’t interested in what’s happening at the moment. If everybody is acting at all times, you don’t have a tabletop game, you have a shouting match.

  4. The DM’s job is to manage monsters, NPCs, plotlines, maps, settings, the players, etc. all at once, and do it in an entertaining, engaging way. If the players split up, the cognitive load of trying to handle two rooms at the same time isn’t going to drive a DM to tears and force him to start killing PCs to lighten the load (which is, and this is true, an actual consequence that players legitimately discussed on the above Reddit).

There’s a trend here: the DM should be able to handle a split party. If he or she can’t, that’s not the players’ fault.*

I’ll admit to having a bit of a formative experience here. In the first session of one of my earliest campaigns as a player, we split up to explore an absurdly spacious sewer and look for…something. Along the way, half the group stumbled upon bandits, and these bandits promptly squashed that half of the group. The fracas alerted the melee-capable members of the party who ran to the rescue in time to save us from dying. I distinctly remember the DM complaining about it the next week, completely nonplussed that the party (who had all met twenty minutes ago, who’d by that point only taken a walk and killed a spider together, and who hadn’t shared both their first and last names with each other) would do anything but walk joined at the hip, trusting each other with our lives in a place where we did not believe lurked any immediate danger.

First off: never tell the players dying (or nearly dying) was their fault. Wait for them to say it first. More relevantly, it wouldn’t surprise me if some of my love for splitting the party came from this. That is, if a bad DM DM we didn’t like was adamant that splitting the party was bad, maybe it was good when handled by a DM we did like. I ended up with a lot of opinions from that campaign, some of which I still hold and all of which came from watching this DM and doing the opposite. So I probably feel more strongly about this than is wise or adult.

Still, I’ve managed to split the party several times over the years, and for the most part they’ve been great successes. I am aware of the above problems (even if I think players over-inflate them, that doesn’t mean they don’t exist), and I try to counter them like so:

  1. Divide the party across very specific lines, or let them divide themselves, so the most necessary resources are split appropriately. If I tell the party “you’re splitting into two groups of three”, they will make certain both sides have somebody capable of healing. If I give them more information, like “group A will be protecting the stationary teleport crystal while group B will be sneaking through the catacombs to find the source of the corruption,” they can specialize even further, and usually in a more helpful and character-relevant way than pushing the whole group into one or the other.

  2. Design for the half-group. Often I leave myself some wiggle room in the encounter design. For example, whichever group has the wizard gets a bunch of minions thrown at it while the other gets fewer normal guys, and the group with the fighter gets attacked by her mortal enemy while the other gets a summoned devil. A little change like that gives both groups different encounters while staying within a balanced challenge range.

  3. Switch at meaningful points. If one group is entering combat, I try to time the other group to hit combat at the same time. Then we run a single combat, just spread over two maps, and the only time somebody’s out of action is at the very end when one group has finished. If there’s no combat to be found I jump at dramatic times, the same place I would put a commercial break to increase tension. Every once in a while I have a player run an NPC so they have something to do during another player’s turn, and almost every time it’s amazing. But in general players are mature enough to know not every thing that happens must involved them, and as long as I don’t test their patience they’re unlikely to revolt.

  4. Know what’s happening. Usually I can keep track of all the players and their actions, but if I get lost, I just ask where we were. My players aren’t the sort who would lie to me for a game advantage, and sometimes hearing their version of what’s going on creates a new path for the following scene. The extra cognitive load isn’t so frustrating that it outweighs the joy of giving every character and player a chance to show off, do what they want without putting it through a party vote, and explore the setting in a more personal, dynamic way than they would as a group.

Splitting the party isn’t for everyone, or every session (looking at you, every story game ever). Certain campaigns and DMs handle it better than others. It’s almost always a good idea to stick together in pull-no-punches situations like Lair Assault or the Temple of Elemental Evil. A hardline simulationist DM would never tweak the setting to match the situation; if he’s decided the lieutenant never leaves the general’s side, the druid who stumbles across the general is going to have to deal with the lieutenant because that’s what makes sense. And no matter what, dividing a group takes some tweaking and a certain amount of thinking on your feet beyond a normal session. D&D is a game about parties, it’s written with that assumption, and usually it works best that way.

But it’s not a hard-and-fast rule that the party should never, ever split up, any more than it’s a hard and fast rule that goblins can’t be bards. Some of my favorite sessions have come from splitting the party, sometimes without their consent and sometimes for far longer than they expected, and not once has a player told me it led to a negative play experience. It’s as good a storytelling tool as any, and we need to stop rejecting it out of hand just because it takes a little finesse.

By the way, if you’re in my upcoming campaign, feel free to treat this post as foreshadowing.

* — Unless the DM flat-out says “Guys, I don’t want to / don’t feet like / can’t handle splitting the party right now. I really prefer / suggest / need that you all stick together”. That happens sometimes, and often it’s a legitimate request. If the players ignore that and split up anyway, then it is their fault.

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On Unearthed Arcana: Variant Rules

Posted on 16 June, 2015 by MssngrDeath

After I spent all that time gushing about the variant alignment systems for Pathfinder, it’s only fair to point out when Wizards does something similar. The latest Unearthed Arcana (not to be confused with Unearthed Arcana or Unearthed Arcana) dropped, and it includes an alignment system that’s different but still really neat.

There are other rules in the preview, but we’re going to ignore the “players roll all the dice” options that’s exactly the same as every other system for the same thing but with more confusing language. We’re also going to leave alone the variant hit point system that drastically increases on-the-fly math during play, adds more bookkeeping to every character and monster, creates more precarious combats, and exacerbates the problem it purports to solve. Not that there’s nothing to say there, but I feel I’ve already beaten that horse.

Instead we’re looking at “custom alignments”. What’s interesting about this is that it’s exactly the same alignment system D&D already has. We’re not throwing out the three-by-three (-by-three, if you’re in my campaigns) alignment grid. We’re just changing the labels. Instead of good/evil and law/chaos, this system create new dichotomies specific to the campaign and world.

For example, imagine a campaign setting where an ecological crisis engineered by a cabal of necromancers threatens to transform the world into a dead wasteland. Forming one alignment path are the opposing forces of life and death. Like the choice of good or evil, this conflict defines the setting, and you would expect most player characters to be aligned to life or at least neutral with respect to their support for the necromancers’ plans.

Dear person at Wizards who creates these rules documents: you put tabs between every word. Last time you put newlines between every word. This is not how text happens. Is this because you are using Microsoft Word’s function for converting a file to PDF? Do you need help with text formatting? Please call me.

Now, this alignment system does specifically say “create one axis where all players are on one side and all enemies are on another, and another axis with some freedom.” The story of 5E is that there are bad guys and there are good guys, and all good guys are good and all bad guys are bad and there is no room for bad guys who are sometimes good or vice versa. If we ignore that and jump straight to the “gritty” variant, we can make two alignment axes where players can fall anywhere within them.

What we’re doing is changing one of D&Ds fundamental metrics (and no matter how much the designers say alignment is a “handy label” or “quick summary”, as long as the rules leverage it we have to treat it like any other stat) to something specific to us. The world isn’t about good versus evil, it’s about Montague versus Capulet, or Britain versus France, or orcs versus elves, and neither side is objectively the heroes. It could be that good and evil aren’t tangible character traits, or that they’re too mutable and subjective to work as they do in normal D&D, or that we simply don’t care whether somebody is good or evil because that’s not as important as the side they’re taking in the central conflict.

But this gets really neat when we do acknowledge that D&D has rules for alignment. We don’t have detect evil any more, we have detect Capulet. We don’t have angels (or if we do they’re on both sides), we have monsters or characters with the orc subtype. If a paladin fails to act in the manner dictated by her oath to France, she loses all the magical powers she had as an emissary of the country. I don’t know about you, but to me that sounds awesome.

This also brings us out of the Saturday morning cartoon alignment trap. We have two opposing sides. Both regard the other as a moral enemy, both see the world in terms of their fight, both are convinced their side is noble and righteous and destined to win because the other side is evil, and both are probably very wrong. With this we can tell a deeper story, as the players double down on their cause and fight on, see the errors in their own side and either resolve them from within or join the enemy, or acknowledge both sides have faults and seek a middle ground. It’s exactly the sort of story the current alignment system avoids.

Again, this is what I want out of Unearthed Arcana (the web series). I want rules, options, variants, and features that add to the game. The “rename good and evil, but otherwise leave everything alone” variant doesn’t mean anything because it’s just a reskin. Calling a scimitar a khopesh is well and good, but we don’t need a book for that. We can do it on our own. But seeing Wizards acknowledge the possibility that there are players, campaigns, and characters left out of the current rules and working to correct it isn’t just encouraging, it’s the point of publishing new material at all.

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